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Netflix CEO Calls Movie Theaters Obsolete

Sep 20,2025 Author: Matthew

Netflix CEO Claims Streaming is Saving Hollywood as Theaters Decline

Netflix co-CEO Ted Sarandos has launched a bold defense of streaming's role in Hollywood, suggesting traditional moviegoing has become outdated for most audiences. During the Time100 Summit, Sarandos positioned Netflix as an industry savior amid declining theater attendance and production shifts away from Los Angeles.

The Streaming Revolution vs. Theater Tradition

"We're not just competing with theaters - we're reinventing entertainment," Sarandos told attendees. He emphasized Netflix's viewer-first approach: "We deliver content exactly how audiences want to experience it - on their terms, in their homes."

The executive acknowledged shrinking box office numbers, posing a rhetorical question: "What are audiences telling us? They prefer watching movies where they're most comfortable." While admitting he personally enjoys theaters, Sarandos called the traditional model "increasingly obsolete for mainstream viewers."

These comments arrive as Hollywood faces unprecedented challenges. Major franchises like Marvel show inconsistent performance, while animated features and video game adaptations become increasingly crucial for box office viability. The industry finds itself at a crossroads between tradition and digital transformation.

The Theater Experience: Fading Tradition or Enduring Artform?

Acclaimed actor Willem Dafoe recently lamented the cultural shift in movie consumption: "The magic of collective viewing is disappearing. At home, viewers treat films casually - flipping between options rather than immersing in storytelling." He described how theatrical experiences naturally fostered cultural conversations that streaming platforms struggle to replicate.

Where do you prefer to watch new movies?

Oscar-winning director Steven Soderbergh offered a nuanced perspective in 2022 about cinema's future. "The communal experience still holds value," he noted, suggesting the industry must focus on cultivating younger audiences while maintaining older moviegoers. Soderbergh emphasized that theatrical survival depends on innovative programming rather than release timing strategies.

The debate continues as audiences increasingly favor convenience over tradition. With major studios adjusting strategies and theater chains evolving offerings, the entertainment landscape appears poised for permanent transformation.

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